The Black Eyed Peas’ Let’s Get It Started is a high-energy party staple, and Gusted & Tayk flip that familiar vocal into a House remix infused with clear UK garage influence. The edit runs on a shuffled, bouncy rhythm that gives it movement and swing, creating that garage-style push while staying firmly rooted in House … Read more
MC Hammer’s U Can’t Touch This famously flips Rick James’ Super Freak, and RIDWAN KIPP leans fully into that DNA with a mashup built for instant recognition and dancefloor reaction. The edit keeps Rick James’ iconic funk groove driving underneath, giving the track its bounce and swagger, while Hammer’s vocal sits confidently on top, riding … Read more
Rod Stewart’s Da Ya Think I’m Sexy is a timeless disco crossover packed with attitude, and Gooch Brown refreshes it with a modern disco remix that keeps the funk front and centre. The edit leans into a buoyant rhythm and classic disco swing, giving the track a lively, dancefloor-ready pulse without stripping away its charm. … Read more
ay-Z and Kanye West’s Ni**as In Paris is one of the most dominant hip-hop records ever to cross into club culture, and MOONLGHT pushes that aggression straight into bass-heavy EDM territory. The flip is built around sheer low-end pressure, using heavy, driving bass to give the track real physical impact on club systems. The vocal … Read more
Missy Elliott’s I’m Really Hot is all attitude and confidence, and Federico Riva builds his EDM remix squarely around that vocal energy. The edit is driven and upfront, letting Missy’s unmistakable delivery lead the track from start to finish while the instrumental provides constant momentum beneath it. Tight, punchy drums and a firm low-end groove … Read more
Cloonee’s Stephanie already carries serious club attitude, and Alex Dynamix pushes that foundation into heavier EDM territory with a remix built on low-end weight and relentless drive. The edit locks into a powerful, forward-moving rhythm where the bass does most of the talking, delivering pressure that feels constant and intentional rather than explosive for the … Read more
House of Pain’s Jump Around is a raw, high-impact anthem, and MOONLGHT flips that unmistakable energy into an EDM club weapon driven by bass and momentum. The flip keeps the iconic vocal phrases as a hype trigger, using them to build tension before dropping into a heavy, bass-led groove designed to shake club systems. Drums … Read more
Rebuke’s Along Came Polly is already a modern techno staple built on relentless drive, and Paul Tognelli takes that foundation further by layering in additional energy while respecting the original’s hypnotic flow. Rather than rewriting the formula, this edit enhances it — adding extra movement, tension, and pressure through carefully introduced layers that build intensity … Read more
JoJo’s Leave is a deeply emotional R&B record, and SANTERRES keeps that intimacy intact with a soft, restrained edit built entirely around mood. The remix avoids any unnecessary lift, instead sitting on a gentle, flowing rhythm that supports the vocal without pulling focus. The low end is smooth and understated, adding warmth while keeping the … Read more
Wayne Wonder’s No Letting Go is a smooth, sun-soaked R&B classic, and Smochi keeps that timeless feel intact while refining it into a modern, groove-led remix. The focus here is flow — a relaxed, polished rhythm sits comfortably beneath the vocal, giving the track an effortless, head-nodding feel. The groove is subtle and controlled, with … Read more