Don’t Go Lose It is a straight-up House cut that leans into feel-good rhythm and timeless club energy, showing Kabl’s knack for keeping things simple but effective. Released on BassNBlends, the track is driven by a bouncy, upbeat drum pattern and a warm low-end that keeps the groove moving without ever feeling heavy. Vocal elements … Read more
The Weeknd and Playboi Carti bring a dark, contemporary mood to Rather Lie, and NOAYDI translates that atmosphere into an Afro House remix driven by synth energy and disciplined drum work. The track leans on evolving synth lines that create tension and forward motion, giving the remix its lift and character. Drums are tight and … Read more
Alex Gaudino’s Destination Calabria is instantly defined by its iconic sax line, and t e s t p r e s s keeps that hook firmly at the centre while pushing the track into high-energy techno territory. The remix builds around driving, relentless drums that maintain constant pressure, giving the sax room to cut through … Read more
Gadjo’s So Many Times is a timeless vocal-driven House record, carried by Alexandra Prince’s unmistakable delivery, and this edit by Matteo Vitale & Stefano Venettilli injects it with Afro House momentum while keeping that classic House spirit alive. The edit blends warm, rhythmic foundations with a lively, uplifting energy, striking a balance between Afro House … Read more
Missy Elliott’s Get Ur Freak On is built around one of the most recognisable melodies in club music, and Hector Dayz takes that core idea into Afro House territory by removing the vocals and letting rhythm do the talking. The edit lifts the iconic melodic motif and reworks it into a driving, percussive framework where … Read more
The Chemical Brothers’ Galangize is built around raw momentum and a hypnotic call-and-response energy, and Heliograph & Palau reshape that foundation into a warm, driven Afro House remix designed for smooth movement within a set. The remix focuses on flow rather than impact, using steady, grounding drums and a deep, rolling undertone to maintain forward … Read more
Bruno Mars and Missy Elliott both bring unmistakable personality to the source material here, and the Royal Funk Edit leans fully into that charisma with a disco-focused rework rooted in soul and swing. The edit is built to let the vocal lead from start to finish, sitting confidently on top of a loose, funky rhythm … Read more
Carly Rae Jepsen’s Call Me Maybe is one of pop’s most instantly recognisable records, and J Bruus reframes that familiarity into a warm, progressive EDM remix built on lift and flow rather than quick-hit drops. The edit develops gradually, driven by smooth, evolving synth layers that create a sense of momentum and openness as the … Read more
DJ Snake and Tchami’s Satisfaction provides the driving club framework here, while RIVAS cleverly opens the edit with the iconic “before we get started” vocal from Made In France, instantly setting a hype, main-stage tone. The build leans into tension, teasing elements of Satisfaction before flipping the energy into a high-impact drop powered by Sean … Read more
RNGR flips Kanye West’s monumental anthem “All of the Lights” into a high-energy Drum & Bass rework that’s equal parts euphoric and explosive. The edit keeps the emotional power of the original — with Rihanna’s soaring vocals front and center — while injecting rapid-fire drums, deep sub-bass, and cinematic intensity. It’s a perfect fusion of … Read more