This Afro House rework of Black Eyed Peas’ global anthem strips the record back to rhythm and rebuilds it around pure percussion. The instantly recognisable vocal chants are used sparingly, sitting inside a dense framework of layered drums, syncopated hits, and earthy low-end movement. 5HOURS, Alessio Centra and Francesco Ken lean heavily into tribal energy … Read more
Released on Box of Cats, this Bali and Sillva remix turns Ciara’s iconic R&B hit into a gritty, minimal Tech House grinder built for underground club pressure. The edit is tight and disciplined, driven by stripped-back drums, sharp percussive hits and a low-end that keeps things moving without ever becoming bloated. Ciara’s vocal is chopped … Read more
Kärdo flips Pitbull’s “I Know You Want Me” into a lively Afro House rework loaded with club-ready drive and rhythmic movement. The instantly recognisable vocal lines cut through the mix, now supported by earthy tribal percussion, rolling drums, and a warm low-end groove that reshapes the track into a modern dancefloor weapon. Kärdo keeps the … Read more
Baligion flips Sisqó’s iconic “Thong Song” into a tight Tech House roller that blends nostalgia with modern, club-focused groove. The unmistakable vocal drops in with instant crowd recognition, now riding over crisp tech drums, a warm rolling bassline, and sharp percussive hits that keep the energy pulsing forward. Baligion keeps the flow smooth and bouncy, … Read more
Lentz Ansar flips Michael Jackson’s iconic “Wanna Be Startin’ Somethin’” into a powerful Afro House remix built around the legendary “mama-say, mama-sa, mama-makossa” vocal chant. The hook cuts through the mix with instant recognisability, now riding over a strong percussive drive made of thick tribal drums, rolling grooves, and rhythm-forward layers that push the track … Read more
Seif flips Brandy & Monica’s R&B classic “The Boy Is Mine” into a sleek, modern Tech House weapon that blends nostalgia with crisp club energy. The iconic duet vocals glide over a tightened groove built from punchy tech drums, rolling low-end movement, and subtle percussive hits that give the edit a smooth but driving pulse. … Read more
Nineteen 90 flips Whitney Houston’s “It’s Not Right but It’s Okay” into a smooth, club-ready Deep House rework with subtle techy vibes woven throughout. Whitney’s powerful vocal takes centre stage, now floating over a warm, rolling bassline, crisp percussion, and understated synth touches that give the remix a sleek, modern edge. The groove is deep … Read more
LASSE transforms Travis Scott’s “I KNOW ?” into a dramatic, deep and mysterious Afro House experience that pulls the listener straight into a darker rhythmic world. Travis’s hypnotic vocal ad-libs drift through layers of warm tribal percussion, pulsing low-end movement, and shadowy atmospheric textures that give the remix its haunting character. LASSE builds tension slowly, … Read more
ON_1 fires up Travis Scott & Playboi Carti’s “FE!N” with a high-octane club remix packed with electric energy and real forward drive. The chaotic, repetitive hook that defines the original becomes even more explosive here, riding over punchy drums, sharp percussive hits, and a gritty low-end that pushes the track into peak-time territory. ON_1 keeps … Read more
DRAHCIR tears into Dr. Dre’s “Xxplosive” with a wicked Dubstep flip that transforms the classic West Coast groove into a heavy, low-end-dominant weapon. The iconic instrumental and vocal samples are used with precision, giving the track instant recognisability before everything detonates into snarling bass design, gritty mids, and punchy half-time drums. DRAHCIR keeps the attitude … Read more